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艺术家：叶夫根尼·苏德宾
标题：海顿：钢琴奏鸣曲
发行年份：2010年
厂牌：BIS唱片公司 [BIS-1788 SACD]
类型：古典音乐
音质：DSD64镜像文件（*.iso）/2.0声道 > 1比特/2.8224兆赫兹
总时长：01小时15分10秒
总大小：3.5千兆字节（+3%冗余）
网站：专辑预览
2005年，叶夫根尼·苏德宾发行首张专辑《斯卡拉蒂奏鸣曲选集》便引发轰动。多位乐评人将其与霍洛维茨演绎同一曲目的传奇录音相媲美，英国广播公司第三电台《CD评论》称：“他仿佛将斯卡拉蒂从布满灰尘的博物馆架上取下，带入阳光之下，让作曲家与音乐共同沐浴其中。”苏德宾随后的唱片聚焦于拉赫玛尼诺夫、梅特纳、柴可夫斯基和斯克里亚宾等后期俄罗斯作曲家，同样获得国际乐评界盛赞。如今他回归18世纪，聚焦与斯卡拉蒂同样深受其喜爱的作曲家——约瑟夫·海顿。正如苏德宾在 liner notes 中所言，他尤其珍视海顿音乐中“对趣味的热衷、妙趣横生的幽默以及对所有常规的突破”。不过，本次选录的作品绝非轻佻的“音乐玩笑”：例如蕴含深切美感的F小调《行板与变奏曲》，有人认为此曲是海顿对莫扎特逝世的回应。苏德宾亦坦言，“音乐玩笑”说起来容易弹起来难：在“严肃”的音乐会上使用单口喜剧式的技巧，风险在于将其变成“坐着观赏的悲剧”。因此，所有“玩笑”均严格限定在音乐框架内——尽管如此，苏德宾在演绎海顿时显然乐在其中，并鼓励听众一同感受：“在音乐厅里，适时出现的极弱音轻笑，绝对是最不让人反感的声音之一。”作为对作曲家的致意，苏德宾以《与海顿嬉戏》为演奏会收尾，这是他对《云雀四重奏》终曲的诙谐改编。
曲目：
B小调第47号钢琴奏鸣曲，Hob.XVI:32 15:02
1 I. 适中的快板 6:17
2 II. 小步舞曲 4:18
3 III. 终曲，急板 4:27
C大调钢琴奏鸣曲，作品79号，Hob.XVI:50 19:57
4 I. 快板 11:53
5 II. 柔板 5:53
6 III. 很快的快板 2:11
E小调第53号钢琴奏鸣曲，Hob.XVI:34 13:46
7 I. 急板 5:38
8 II. 柔板 4:51
9 III. 十分活泼的 3:17
10 C大调幻想曲（随想曲），Hob.XVII:4 6:13
11 F小调《行板与变奏曲》，Hob.XVII:6，“小嬉游曲” 14:44
与海顿嬉戏：D大调第53号弦乐四重奏，作品64号第5首，Hob.III:63，“云雀”
12 IV. 终曲，活泼的（钢琴改编版） 3:08
Artist: Yevgeny Sudbin
Title: Haydn: Piano Sonatas
Year Of Release: 2010
Label: BIS Records [BIS-1788 SACD]
Genre: Classical
Quality: DSD64 image (*.iso) / 2.0 > 1-bit/2.8224 MHz
Total Time: 01:15:10
Total Size: 3,5 GB (+3%rec.)
WebSite: Album Preview
The release in 2005 of Yevgeny Sudbin’s first disc, a selection of Scarlatti sonatas, caused a sensation. A number of reviewers compared it favourably to the legendary recordings by Horowitz in the same repertoire, and on the BBC Radio 3 CD Review, the result was described as follows: ‘It's as if he's dragged Scarlatti off a dusty museum shelf and brought him out into the sunshine where both he and the music are happily basking.’ Sudbin’s following discs focussed on Russian composers from later periods – Rachmaninov, Medtner, Tchaikovsky and Scriabin – and received similar acclaim in the international music press. He now returns to the 18th century of Scarlatti, however, and to a composer who holds a similar place in his affections, namely Joseph Haydn. As Sudbin writes in his own liner notes, one of the qualities in this composer which he finds particularly endearing is Haydn’s ‘delight in silliness, outrageous wit and the breaking of all conventions’. The works chosen for this recital are by no means mere light-weight ‘musical jokes’, however; for instance they include the profoundly beautiful Andante con variazioni in F minor, which some have suggested was written in response to the death of Mozart. And as Sudbin himself acknowledges, musical jokes are easier to tell than to play; to use stand-up comedy tricks during a ‘serious’ recital risks turning it ‘into a sit-down tragedy’. Any joking is therefore strictly within the musical parameters – but that being said, Sudbin does enjoy himself in Haydn, and encourages his audiences to do likewise: ‘The odd carefully timed pianissimo chuckle is definitely among the less irritating noises you get in a concert hall’. In an affectionate tribute to the composer, Sudbin ends his recital with Larking with Haydn, his own tongue-in-cheek arrangement of the Finale of the Lark Quartet.
Tracks:
Piano Sonata No. 47 in B Minor, Hob.XVI:32 15:02
1 I. Allegro moderato 6:17
2 II. Menuet 4:18
3 III. Finale. Presto 4:27
Piano Sonata in C Major, Op. 79, Hob. XVI:50 19:57
4 I. Allegro 11:53
5 II. Adagio 5:53
6 III. Allegro molto 2:11
Piano Sonata No. 53 in E Minor, Hob.XVI:34 13:46
7 I. Presto 5:38
8 II. Adagio 4:51
9 III. Vivace molto 3:17
10 Fantasia (Capriccio) in C Major, Hob XVII:4 6:13
11 Andante Con Variazioni in F Minor, Hob. XVII:6, “Un piccolo divertimento” 14:44
Larking with Haydn: String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, “The Lark”
12 IV. Finale. Vivace (arr. for Piano) 3:08
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