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艺术家：弗雷迪·肯普夫
标题：穆索尔斯基·拉威尔·巴拉基列夫
发行年份：2008年
厂牌：BIS
音乐类型：古典钢琴
音质：无损FLAC/24位-88.2千赫兹FLAC+小册子
总时长：1小时05分16秒
总大小：224兆字节/932兆字节
网站：专辑预览
曲目列表
01. 图画展览会：漫步
02. 图画展览会：第一幅 侏儒
03. 图画展览会：漫步
04. 图画展览会：第二幅 古老的城堡
05. 图画展览会：漫步
06. 图画展览会：第三幅 杜伊勒里宫花园
07. 图画展览会：第四幅 牛车
08. 图画展览会：漫步
09. 图画展览会：第五幅 蛋壳里的小鸡芭蕾舞
10. 图画展览会：第六幅 塞缪尔·戈登堡和舒穆伊尔（两个波兰犹太人——富人和穷人）
11. 图画展览会：漫步
12. 图画展览会：第七幅 里莫日的集市
13. 图画展览会：第八幅 地下墓穴：罗马古墓
14. 图画展览会：用死亡的语言与死者对话
15. 图画展览会：第九幅 鸡脚上的小屋（巴巴亚加）
16. 图画展览会：第十幅 基辅的大门
17. 夜之幽灵，M.55：第一首 水妖
18. 夜之幽灵，M.55：第二首 绞刑架
19. 夜之幽灵，M.55：第三首 斯卡博
20. 伊斯拉美
部分基于他在BIS发行的几张唱片，弗雷迪·肯普夫享有充满爆发力和肢体表现力但又极具敏感性的艺术家声誉。例如他演奏的肖邦练习曲在美国《唱片指南》中广受赞誉：“27岁的肯普夫已经达到了大多数钢琴家一生都在追求的境界……这张唱片完全有资格跻身肖邦练习曲最优秀的录音之列。”他演奏的李斯特《超技练习曲》同样备受好评：“肯普夫以充满渴望的怀旧、炽热的激情，以及闪烁耀眼的琶音和华彩乐段，捕捉到了李斯特的精髓”（《国际钢琴》）。这张新专辑的曲目见证了李斯特对钢琴创作的贡献：三首伟大的钢琴独奏炫技文献中的核心作品，其在性格塑造和音色方面的特质使它们都成为了管弦乐改编的对象——就穆索尔斯基的《图画展览会》而言，已经被多次改编。《图画展览会》于1874年在一种创作狂热中仅用三周时间完成，此前穆索尔斯基的朋友、画家兼建筑师维克多·哈特曼去世。启发穆索尔斯基的哈特曼的一些画作现已失传；幸存的画作可以在莫斯科的特列季亚科夫画廊看到。但试图在画作与其音乐对应物之间寻找直接的对应关系是没有意义的：穆索尔斯基试图更直观地描绘哈特曼的世界。巴拉基列夫的《伊斯拉美》早五年创作，基于两个主题。第一个主题名为“伊斯拉美”，是一首来自北高加索的旋律，第二个是来自克里米亚的鞑靼旋律。它长期以来被认为是整个钢琴作品中最难的作品，事实上，当拉威尔1908年创作《夜之幽灵》的第三乐章《斯卡博》时，他特意想写一些更难的东西。与其他两个乐章一样，《斯卡博》基于法国幻想作家阿洛伊修斯·贝特朗的一首散文诗，描绘的是夜晚的邪恶精灵，而《水妖》描述的是水仙女对诗人徒劳的爱，《绞刑架》则描绘了一个被绞死的人和他的绞架。
Artist: Freddy Kempf
Title: Mussorgsky · Ravel · Balakirev
Year Of Release: 2008
Label: BIS
Genre: Classical Piano
Quality: flac lossless flac 24bits - 88.2kHz +Booklet
Total Time: 01:05:16
Total Size: 224 / 932 mb
WebSite: Album Preview
Tracklist
01. Pictures at an Exhibition: Promenade
02. Pictures at an Exhibition: I. Gnomus
03. Pictures at an Exhibition: Promenade
04. Pictures at an Exhibition: II. The Old Castle
05. Pictures at an Exhibition: Promenade
06. Pictures at an Exhibition: III. Tuileries
07. Pictures at an Exhibition: IV. Bydlo
08. Pictures at an Exhibition: Promenade
09. Pictures at an Exhibition: V. Ballet of the Chickens in their Shells
10. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle (Two Polish Jews-Rich and Poor)
11. Pictures at an Exhibition: Promenade
12. Pictures at an Exhibition: VII. Limoges, the Market
13. Pictures at an Exhibition: VIII. Catacombae: Sepulchrum romanum
14. Pictures at an Exhibition: Cum mortuis in lingua mortua
15. Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba Yaga)
16. Pictures at an Exhibition: X. The Great Gate of Kiev
17. Gaspard de la nuit, M. 55: I. Ondine
18. Gaspard de la nuit, M. 55: II. Le gibet
19. Gaspard de la nuit, M. 55: III. Scarbo
20. Islamey
Partly on the basis of his several discs on BIS, Freddy Kempf enjoys a reputation as an explosive and physical performer but also as a highly sensitive artist. His performance of Chopin’s Etudes received high praise, for instance in American Record Guide: ‘At 27, Kempf has attained something most pianists strive for over an entire lifetime ... This release can justly take its place among the very finest recordings of Chopin's Etudes. The set of Liszt’s Transcendental Etudes was equally well received: ‘Kempf captures the essence of Liszt in playing of wistful nostalgia, yearning passion, with arpeggios and cadenzas that shimmer and scintillate’ (International Piano). The programme on the present release bears witness to Liszt’s contribution to piano writing: three central works in the great virtuoso literature for solo piano with qualities in terms of characterisation and timbre that have led them all to become the objects of orchestral arrangements – in the case of Mussorgsky’s Pictures numerous times. Pictures from an Exhibition was composed in only three weeks in 1874, in a sort of creative frenzy following the death of Mussorgsky’s friend, the painter and architect Viktor Hartmann. Some of the pictures by Hartmann that inspired Mussorgsky have now disappeared; those that have survived can be seen at the Tretyakov Gallery in Moscow. But to search for a direct correspondence between the pictures and their musical counterparts would be pointless: Mussorgsky sought to portray Hartmann’s world more intuitively. Balakirev’s Islamey was composed five years earlier, and is based on two themes. The first, called ‘Islamey’, is a melody from north Caucasia, and the second is a Tatar melody from the Crimea. It was long regarded as the most difficult work in the entire piano repertory, and in fact, when Ravel 1908 composed Scarbo, the third movement of Gaspard de la Nuit, he specifically wanted to write something that would be even more difficult. Based, like the other two movements, on a prose poem by the French fantastic writer Aloysius Bertrand, Scarbo is the depiction of an evil spirit of the night, while Ondine describes the futile love of a water nymph for the poet, and Le Gibet a hanged man and his gallows.
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发表于 2025-6-11 07:47:43