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艺术家:克谢尼娅·西多罗娃
标题:皮亚佐拉的回响
发行年份:2021年
厂牌:Alpha
音乐类型:古典音乐
音质:FLAC(分轨)/24位-96千赫兹FLAC(分轨+小册子)
总时长:1小时20分44秒
总大小:384兆字节/1.41千兆字节
网站:专辑预览
曲目列表
1. 巴黎再见(改编为手风琴、钢琴与低音提琴版)(2分52秒)
2. 启示(4分59秒)
3. 探戈的历史:1930年的咖啡馆(6分42秒)
4. 夜曲:一种尚未经历时光的摇篮曲(4分06秒)
5. 班多钮琴与室内乐团协奏曲“阿空加瓜”:I. 清晰的快板(7分30秒)
6. 班多钮琴与室内乐团协奏曲“阿空加瓜”:II. 中板(7分01秒)
7. 班多钮琴与室内乐团协奏曲“阿空加瓜”:III. 急板(6分50秒)
8. 光明组曲:孤独(7分47秒)
9. 布宜诺斯艾利斯的玛利亚:我是玛利亚(3分03秒)
10. 皮亚佐拉主题幻想曲——小流浪汉(6分19秒)
11. 魔鬼的浪漫曲(6分06秒)
12. D小调柔板,BWV 974(改编自亚历山德罗·马尔切洛双簧管与弦乐协奏曲)(4分04秒)
13. 布罗茨基诗歌的双重诠释:月亮(3分09秒)
14. 布罗茨基诗歌的双重诠释:河流(5分46秒)
15. 自由探戈(4分36秒)
生于里加的克谢尼娅·西多罗娃是当今古典手风琴领域最杰出的全球大使之一。她在世界顶尖音乐厅与一流乐团合作,自豪地展现着手风琴的独特魅力。在这张专辑中,她以独特方式向皮亚佐拉致敬:“皮亚佐拉是革命者、开拓者,一个超越时代的思考者……演奏这些作品让我感受到艺术的自由,也点燃了我为手风琴发声的信念。我希望通过将他的杰作与其他作曲家为古典手风琴创作的作品并置,致敬皮亚佐拉的创新精神——其中大部分曲目是我近年首演的。作为俄罗斯裔音乐家,我不禁注意到探戈的乡愁与俄罗斯作曲家谢尔盖·沃伊坚科的《启示》有着微妙共鸣。法国手风琴作曲家弗兰克·安热利的幻想曲基于皮亚佐拉的华尔兹-探戈,而意大利手风琴作曲家彼得罗·罗菲的夜曲与谢尔盖·阿库诺夫的作品则为专辑画上句点。”
西多罗娃的演绎融合了皮亚佐拉探戈的炽热张力与古典手风琴的细腻表达:《探戈的历史》中咖啡馆的烟雾朦胧、《自由探戈》的即兴狂欢,与《阿空加瓜协奏曲》的交响性织体相互辉映。她尤其擅长通过手风琴的簧片震颤传递诗意,如《月亮》与《河流》中对布罗茨基诗歌的声音转译,将文学意象转化为流动的音乐叙事。专辑不仅是对皮亚佐拉的致敬,更展现了手风琴作为跨界乐器的无限可能,在传统与现代、探戈与古典的碰撞中,构建出充满张力的声音宇宙。
Artist: Ksenija Sidorova
Title: Piazzolla Reflections
Year Of Release: 2021
Label: Alpha
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:20:44
Total Size: 384 MB / 1.41 GB
WebSite: Album Preview
Tracklist:
1. Chau Paris (Arranged for Accordion, Piano & Double Bass) (2:52)
2. Revelation (4:59)
3. Histoire du Tango: Café 1930 (6:42)
4. Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived (4:06)
5. Concerto for Bandoneon and Chamber Orchestra "Aconcagua": I. Allegro marcato (7:30)
6. Concerto for Bandoneon and Chamber Orchestra "Aconcagua": II. Moderato (7:01)
7. Concerto for Bandoneon and Chamber Orchestra "Aconcagua": III. Presto (6:50)
8. Suite Lumiere: Soledad (7:47)
9. María de Buenos Aires: Yo soy María (3:03)
10. Fantasie on a theme of Piazzolla – Chiquilín de Bachín (6:19)
11. Romance del Diablo (6:06)
12. Adagio in D Minor, BWV 974 (after Alessandro Marcello's Concerto for Oboe and Strings) (4:04)
13. Two Keys to One Poem by J. Brodsky: The Moon (3:09)
14. Two Keys to One Poem by J. Brodsky: The River (5:46)
15. Libertango (4:36)
Riga-born Ksenija Sidorova is today one of the most eminent global ambassadors of the classical accordion. She has proudly borne the colours of her instrument in appearances in the world’s leading halls and with the foremost orchestras. Here she pays homage to Piazzolla in her own way: ‘Piazzolla the revolutionary, the ground-breaker, a man thinking ahead of his time ... Playing this repertoire gave me a sense of artistic freedom and ignited my belief in advocacy of my instrument. For this album, I wanted to celebrate Piazzolla the innovator by pairing some his masterworks with pieces written by other composers for classical accordion, the majority of which I have premiered in recent years. Being of Russian heritage, I couldn’t help noticing the similarity between the nostalgia of the tango and that of Russian composer Sergey Voitenko’s "Revelation". French accordionist-composer Franck Angelis’s Fantasia is based on Piazzolla’s Waltz-tango, and the programme is completed by the Nocturne of Italian accordionist-composer Pietro Roffi and a piece by Sergey Akhunov’.
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