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03-德沃夏克:第七交响曲 - 奥赛罗 - 野鸽 (2012) [Hi-Res]

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发表于 2025-6-11 07:59:26 | 显示全部楼层 |阅读模式
Claus Peter Flor - Dvorák Symphony No. 7 - Othello - The Wild Dove (2012).jpg



艺术家:马来西亚爱乐乐团,克劳斯·彼得·弗洛尔  
标题:德沃夏克:第七交响曲 - 奥赛罗 - 野鸽  
发行年份:2012年  
厂牌:BIS  
类型:古典音乐  
音质:无损FLAC/24位-96.0kHz FLAC+小册子  
总时长:1小时12分43秒  
总大小:304/675兆字节  
网站:专辑预览  

曲目单  
01. d小调第七交响曲,作品70,B.141:I. 庄严的快板  
02. d小调第七交响曲,作品70,B.141:II. 稍慢板  
03. d小调第七交响曲,作品70,B.141:III. 谐谑曲:活泼地 - 稍慢  
04. d小调第七交响曲,作品70,B.141:IV. 终曲:快板  
05. 奥赛罗序曲,作品93,B.174  
06. 野鸽,作品110,B.198  

在克劳斯·彼得·弗洛尔的指挥下,马来西亚爱乐乐团呈现了一场全德沃夏克作品的音乐会,无论是作曲家的 admirers 还是音响爱好者都值得一听。以混合SACD格式呈现的录音,充分展现了乐团丰富的音色和精湛的演奏,多声道录制更是以惊人的层次感和清晰的细节捕捉到了乐团的表现力。德沃夏克的d小调第七交响曲并非主要作为展示作品,而是一部具有勃拉姆斯风格的相当严肃的作品,但通透的谱面让乐团的每个声部都鲜明突出,每个音符都清晰可闻,不像勃拉姆斯的配器那样趋于同质化。除交响曲外,还有两首较短的作品——《奥赛罗》序曲和音诗《野鸽》,演奏中同样致力于充分展现德沃夏克的配器手法,并利用多声道技术让乐手的表现更具临场感。马来西亚爱乐乐团与BIS合作开启了一段前景光明的录音生涯,如果这张专辑能准确体现该乐团的技巧和音乐素养,其未来将一片光明。

Artist: Malaysian Philharmonic Orchestra, Claus Peter Flor
Title: Dvorák: Symphony No. 7 - Othello - The Wild Dove
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:12:43
Total Size: 304 / 675 mb
WebSite: Album Preview

Tracklist

01. Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso
02. Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio
03. Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo: Vivace - Poco meno mosso
04. Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale: Allegro
05. Othello, Op. 93, B. 174
06. The Wild Dove, Op. 110, B. 198


Under the direction of Claus Peter Flor, the Malaysian Philharmonic Orchestra delivers an all-Dvorák program that admirers of the composer and audiophiles will want to hear. Presented in the hybrid SACD format, the recordings are showcases for the orchestra's rich colors and fine playing, and the multichannel reproduction really captures the ensemble with impressive depth and crisp details. Dvorák's Symphony No. 7 in D minor isn't primarily a display piece, being instead a rather serious essay in the Brahmsian mold, but the crystal-clear writing puts every section of the orchestra into sharp relief and makes every note perfectly audible, unlike the more homogenous scoring of Brahms. In addition to the symphony are two shorter works, the Othello Overture and the tone poem Holoubek (The White Dove), which are played with a similar effort to making the most of Dvorák's orchestration and taking advantage of multichannel technology to give the musicians heightened presence. The Malaysian Philharmonic Orchestra has launched a promising recording career with BIS, and if this package is an accurate indication of the ensemble's skills and musicianship, the future is bright.

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