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艺术家：尼古拉·乔里奇
标题：巴赫与皮亚佐拉
发行年份：2021年
厂牌：柏林经典
类型：古典音乐
音质：FLAC（分轨）/24位-48kHz FLAC（分轨）
总时长：59分钟
总大小：263兆字节/603兆字节
网站：专辑预览
曲目单
1. g小调第七羽管键琴协奏曲，BWV 1058：I. 快板（手风琴改编版）（3分59秒）
2. g小调第七羽管键琴协奏曲，BWV 1058：II. 行板（5分18秒）
3. g小调第七羽管键琴协奏曲，BWV 1058：III. 很快的快板（3分59秒）
4. d小调第一羽管键琴协奏曲，BWV 1052：I. 快板（8分13秒）
5. d小调第一羽管键琴协奏曲，BWV 1052：II. 柔板（6分01秒）
6. d小调第一羽管键琴协奏曲，BWV 1052：III. 快板（8分18秒）
7. 班多钮琴、弦乐团与打击乐协奏曲《阿空加瓜》：I. 有记号的快板（8分13秒）
8. 班多钮琴、弦乐团与打击乐协奏曲《阿空加瓜》：II. 中板（7分55秒）
9. 班多钮琴、弦乐团与打击乐协奏曲《阿空加瓜》：III. 急板（7分07秒）
巴赫与皮亚佐拉——两位看似毫无关联的作曲家？然而，居住在奥地利的塞尔维亚手风琴家尼古拉·乔里奇将他们的作品汇集于一张专辑中，尤其创造了巴赫音乐中前所未有的声音世界。他与汉斯-彼得·霍夫曼指挥的普法尔茨室内乐团合作，录制了皮亚佐拉著名的班多钮琴协奏曲《阿空加瓜》，以及巴赫的第一和第七羽管键琴协奏曲。在呈现这些作品时，他注重一点：
“这些音乐忠实呈现了乐谱文本，没有任何改动或改编。我用手风琴原原本本地演奏巴赫和皮亚佐拉的乐谱，听众有机会以不同的音色体验熟悉的作品。这件乐器以其歌唱性和复杂性展现出无与伦比的魅力。试想：一件管乐器在呼吸间演奏复调音乐，让声音在空气中流淌；一件键盘乐器能用两个不同的键盘、超过500个音符、20个音栓，像弓弦乐器一样塑造音色，而乐手用十指演奏并自由呼吸——这就是键钮式手风琴，它会歌唱，也会呼吸。”
这种“呼吸感”在开头几小节即可听见。巴赫最著名的羽管键琴协奏曲之一《d小调协奏曲BWV 1052》，在原乐器演奏中有时显得近乎机械和仓促。但通过手风琴悠扬的演奏，它突然宛如巴赫的咏叹调：充满花腔装饰音和呼吸的停顿。这使得两首巴赫作品的演绎异常生动，值得一听。“自从我第一次接触巴赫的音乐，内心便产生了对其纯净与信赖的感受。那时我六岁，正在弹奏d小调小步舞曲。随着时间推移，我更深刻地体会到其精神深度和崇高境界，赞叹其美感，尤其是神性。这已不是秘密：音乐关乎神与人。在巴赫的作品中，整体充满宗教性——每一个音符和每一处停顿都能听出这一点。这些作品独特的精神深度，无疑是作为艺术家在音乐中能体验到的最美妙的事物之一。”
另一方面，阿斯托尔·皮亚佐拉的音乐则以自然与人类的关系为核心。班多钮琴协奏曲《阿空加瓜》充满冒险、浪漫、忧郁、力量感和人性，最重要的是：丰富多样。这部以南美洲最高峰命名的作品，通过手风琴的演奏清晰地以画面感呈现：听众能感受到登山的故事——沉重的步伐、脚下冰冷的冰雪、刺眼的阳光、对爱情的短暂回忆，这些都是聆听作品时触发的印象。皮亚佐拉擅长用音乐绘画——而阿根廷最高峰，除了用探戈，还能如何描绘呢？
Artist: Nikola Djoric
Title: Bach & Piazzolla
Year Of Release: 2021
Label: Berlin Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 59:00
Total Size: 263 MB/ 603
WebSite: Album Preview
Tracklist:
1. Harpsichord Concerto No. 7 in G Minor, BWV 1058: I. Allegro (Arr. for Accordion) (3:59)
2. Harpsichord Concerto No. 7 in G Minor, BWV 1058: II. Andante (5:18)
3. Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai (3:59)
4. Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro (8:13)
5. Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio (6:01)
6. Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro (8:18)
7. Concerto for Bandoneon, String Orchestra and Percussion "Aconcagua": I. Allegro marcato (8:13)
8. Concerto for Bandoneon, String Orchestra and Percussion "Aconcagua": II. Moderato (7:55)
9. Concerto for Bandoneon, String Orchestra and Percussion "Aconcagua": III. Presto (7:07)
Bach & Piazzolla - two composers who actually have nothing to do with each other? Nevertheless, the Serbian accordionist Nikola Djoric, who lives in Austria, has united them on one album, creating above all a world of sound unknown to Bach. Together with the Kurpfälzisches Kammerorchester under the direction of Hans-Peter Hoffmann, he has recorded both Piazzolla's famous concert for bandoneon "Aconcagua" and Bach's harpsichord concertos 1 & 7. One thing was important to him in the realization of these works:
"With this music, a faithful musical text is presented; nothing was changed, no arrangements were made. I play the scores of Bach and Piazzolla 1:1 on the accordion, and the listener has the opportunity to experience works known to him in a different timbre. The instrument offers an incomparable charm with its singing ability and complexity. Just imagine: A wind instrument that plays polyphonically when inhaling and exhaling and lets the sound emerge in the air; a keyboard instrument that can phrase tones like strings with a bow, with two different manuals, over 500 notes, 20 sound registers and a musician who plays with all ten fingers and can breathe freely - this is the button accordion, it sings and breathes.".
This "breathing" can be heard after the first few bars. Probably Bach's most famous harpsichord concerto, the Concerto in D minor BWV 1052, sometimes seems almost mechanical and hasty in its original instrumentation. Through the melodious playing of the accordion, it suddenly seems like a Bach aria: full of coloratura and pauses to take a breath. This makes the realization of the two Bach works incredibly lively and worth listening to. "Since my first encounter with the music of Bach, a feeling of purity and trust for it has developed in me. At that time I was six years old and played the minuet in D minor. Over time I came to know its spiritual depth and heavenly height better, admired its beauty and above all its divinity. It is no secret: music is about God and man. With Bach, the entire work is very religious - you can hear this in every single note and in every pause. The very special spiritual depth of these works is certainly one of the most beautiful things you can experience as an artist in music".
The music of Astor Piazzolla, on the other hand, is characterized above all by the relationship between nature and man. The bandoneon concert "Aconcagua" is adventurous, romantic, melancholic, powerful, human and above all: versatile. The work, named after the highest mountain in South America, clearly reflects the play with the accordion in a pictorial way: one senses the story of a mountain ascent - heavy steps, cold ice under the feet, sharp rays of sunshine, short memories of love are the impressions that are triggered by listening to the work. Piazzolla could paint very well with music - and how could the highest mountain in Argentina be painted differently than with a tango?
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发表于 2025-6-11 08:01:46