08-肖邦计划 (2015) Hi-Res

史前青蛙

艺术家：奥拉弗·阿纳尔德斯与爱丽丝·萨拉·奥特  
标题：肖邦计划  
发行年份：2015年  
厂牌：水星古典  
类型：古典音乐  
音质：24位-96kHz FLAC / FLAC（分轨）  
总时长：45分31秒  
总大小：943兆字节 / 227兆字节  
网站：专辑预览  

曲目单  
01. 诗篇 [4:03]  
02. 第三钢琴奏鸣曲 - 广板 [9:17]  
03. 升c小调夜曲（feat. 玛丽·萨穆埃尔森）[4:24]  
04. 回忆 [4:28]  
05. g小调夜曲 [3:01]  
06. 闭目 - c小调夜曲 [6:41]  
07. 刻在石上 [3:27]  
08. 旅人之信 [4:17]  
09. 降D大调前奏曲“雨滴” [5:57]  

本周推出的这张专辑堪称“前所未闻”的典范，由冰岛电子音乐家兼作曲家奥拉弗·阿纳尔德斯与德日混血钢琴家爱丽丝·萨拉·奥特合作呈现，后者对肖邦圆舞曲的演绎启发了这个项目。专辑中既有肖邦的钢琴原作，也有阿纳尔德斯基于肖邦主题创作的原创作品，其中第6首《闭目/c小调夜曲》更是将两者融合。阿纳尔德斯的作品运用了他标志性的电子键盘音色，并加入了现场弦乐五重奏。此外，钢琴选用了在雷克雅未克搜罗的复古乐器，而氛围音效则通过在当地不同场地用多种麦克风录制进行处理，甚至还加入了环境音景（噪音、对话声、低语等）。  

尽管创意略显密集——例如弦乐五重奏是肖邦从未用过的音色，可能与原作风格产生冲突——但这张专辑有一个重要的独特之处：无论是对肖邦还是其他作曲家，从未有人尝试过类似的改编方式。它或许正预示着某种全新且重要的音乐方向的开端。

Artist: Ólafur Arnalds & Alice Sara Ott
Title: The Chopin Project
Year Of Release: 2015
Label: Mercury Classics
Genre: Classical
Quality: FLAC 24bit-96kHz / FLAC (tracks)
Total Time: 45:31
Total Size: 943 Mb / 227 Mb
WebSite: Album Preview

Tracklist:

01. Verses [4:03]
02. Piano Sonata No.3 - Largo [9:17]
03. Nocturne in C sharp minor (feat. Mari Samuelsen) [4:24]
04. Reminiscence [4:28]
05. Nocturne in G minor [3:01]
06. Eyes Shut - Nocturne in C minor [6:41]
07. Written in Stone [3:27]
08. Letters Of A Traveller [4:17]
09. Prelude in D flat major 'Raindrop' [5:57]

This week's entry in the very-much-like-nothing-heard-before sweepstakes comes from Icelandic electronic musician and composer Ólafur Arnalds and German-Japanese pianist Alice Sara Ott, whose recording of Chopin waltzes inspired the project. What's here are recordings of Chopin piano compositions, plus original compositions by Arnalds based on motifs from Chopin. In one case, Eyes Shut/Nocturne in C minor (track 6), the two are combined. Arnalds' pieces employ his own electronic keyboard textures, plus a live string quintet. On top of this, the pianos are vintage instruments hunted down in Reykjavik, and the ambience, if you will, was manipulated by recording in various venues and with various microphones there. And, on top of all this, Arnalds adds ambient soundscapes (noise, sounds of conversation, whispers, etc.) to the music. The ideas seem packed in a bit thick. The string quintet, for example, was a sound unused by Chopin, and it introduces an element that seems discordant with the source material. But there is a major X factor working in favor of this release: nobody has ever tried anything much like this, either with Chopin or with any other composer, and it just might be the beginning of something new and important.

游客，如果您要查看本帖隐藏内容请回复