|
|
艺术家：特内布拉合唱团，奈杰尔·肖特
标题：中世纪圣咏与塔利斯《耶利米哀歌》
发行年份：2014年
厂牌：Bene Arte
类型：古典音乐
音质：无损FLAC / 24位-96kHz FLAC
总时长：1小时05分12秒
总大小：256兆字节 / 1.07千兆字节
网站：专辑预览
曲目单
01. 受难周赞美诗：《咏唱光荣救主之舌》
02. 受难周晚祷：I. 上帝啊，求你速来救助
03. 受难周晚祷：II. 应答圣歌—诗篇
04. 受难周晚祷：III. 章节—回应
05. 受难周晚祷：IV. 赞美诗
06. 受难周晚祷：V. 短诗与应答
07. 受难周晚祷：VI. 应答圣歌—颂歌[现在请让仆人离去]
08. 受难周晚祷：VII. 祈祷—祷文—让我们赞美
09. 耶利米哀歌I
10. 回应：在橄榄山上
11. 耶利米哀歌II
12. 回应：我的灵魂愁苦
13. 受难周晚祷回应：交在你手里I
14. 濯足节晨祷后的连祷文
圣咏录音通常分为两类：一类关注演唱本身的美感与歌手表现，另一类试图将圣咏置于类似礼仪语境中。英国当红的特内布拉合唱团此次录音介于两者之间。曲目主要选自一套受难周晚祷圣咏，其来源是宗教改革前英格兰使用的独特撒伦圣咏曲目。部分文本加入了托马斯·塔利斯的《耶利米哀歌》等复调作品，以及约翰·谢泼德的回应圣歌。尽管与撒伦圣咏仪式相关的作曲家更可能是谢泼德而非塔利斯，但在圣咏序列中加入复调音乐的整体构思符合当时的惯例。
音乐上，所有作品都演绎得美轮美奂。特内布拉合唱团此次精简为五名歌手（圣咏部分由四人演唱），整个录音以文本为核心，具有私密特质（歌词全文及英文翻译均收录于说明书）。伦敦福音橡树小圣堂的音响环境也与项目宗旨惊人契合，营造出极具美感的氛围，尽管节目整体构思的核心原则稍显隐晦。
Artist: Tenebrae, Nigel Short
Title: Medieval Chant and Tallis Lamentations
Year Of Release: 2014
Label: Bene Arte
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:05:12
Total Size: 256 mb / 1.07 gb
WebSite: Album Preview
Tracklist
01. Hymn for Passiontide: Pange lingua gloriosi
02. Compline for Passiontide: I. Deus in adiutorium
03. Compline for Passiontide: II. Antiphon – Psalms
04. Compline for Passiontide: III. Chapter - Respond
05. Compline for Passiontide: IV. Hymn
06. Compline for Passiontide: V. Versicle & Response
07. Compline for Passiontide: VI. Antiphon – Canticle [Nunc dimittis]
08. Compline for Passiontide: VII. Preces – Collect – Benedicamus
09. Lamentations of Jeremiah I
10. Respond: In monte Oliveti
11. Lamentations of Jeremiah II
12. Respond: Tristis est anima mea
13. Respond for Compline in Passiontide: In manus tuas I
14. Litany after Lauds for Maundy Thursday
Recordings of chant tend to fall into two groups: those concerned with the beauty of the singing and the singers themselves, and those that attempt to place the chant into something like its liturgical context. This recording by Britain's hot Tenebrae Consort falls somewhere in between. The program consists mostly of a set of chants for the Compline service for Holy Week, drawn from the unusual Sarum chant repertory used in England until the time of the Reformation. For several of the texts, polyphony, in the form of the great Lamentations of Thomas Tallis and a respond by John Sheppard, is added. The general idea of adding polyphony to a sequence of chants fits what would have been done at the time, even if it was Sheppard, rather than Tallis, whose music was associated with the Sarum Office. Musically it all works beautifully. The Tenebrae Consort is pared down to five singers here (four for the chants themselves), and the entire event has an intimate quality, centered on the texts (all reproduced and translated into English in the booklet). And the sound environment of London's small All Hallows Church, Gospel Oak, is strikingly well suited to the aims of the project. Strikingly beautiful, even if it is a little hard to tell what the overarching principle of the program is.
|
|
发表于 2025-6-11 08:11:51