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艺术家：乌尔夫·瓦林，罗兰·蓬蒂宁
标题：舒曼：小提琴奏鸣曲
发行年份：2011年
厂牌：BIS
类型：古典音乐
音质：无损FLAC / 24位-88.2kHz FLAC+小册子
总时长：1小时14分06秒
总大小：344兆字节 / 1.15千兆字节
网站：专辑预览
曲目单
01. a小调第一小提琴奏鸣曲，作品105：I. 充满激情的表达
02. a小调第一小提琴奏鸣曲，作品105：II. 小快板
03. a小调第一小提琴奏鸣曲，作品105：III. 活泼地
04. d小调第二小提琴奏鸣曲，作品121：I. 相当缓慢—活泼地
05. d小调第二小提琴奏鸣曲，作品121：II. 非常活泼地
06. d小调第二小提琴奏鸣曲，作品121：III. 轻柔，单纯地
07. d小调第二小提琴奏鸣曲，作品121：IV. 激动地
08. a小调第三小提琴奏鸣曲，WoO 27：I. 相当缓慢地
09. a小调第三小提琴奏鸣曲，WoO 27：III. 间奏曲：激动地，但不过快
10. a小调第三小提琴奏鸣曲，WoO 27：II. 谐谑曲
11. a小调第三小提琴奏鸣曲，WoO 27：IV. 终曲：鲜明的，相当活泼的速度
罗伯特·舒曼的三首小提琴与钢琴奏鸣曲均创作于1851至1853年间。这些作品——尤其是第三首——在一定程度上遭受了与作曲家晚年（其于精神病院去世前几年）其他作品相同的忽视与不解。同一时期，舒曼还创作了包括小提琴协奏曲和小提琴与管弦乐队幻想曲在内的多部小提琴作品。这些协奏曲为小提琴家约瑟夫·约阿希姆而作，但最初促使他创作小提琴室内乐的，可能是莱比锡布商大厦管弦乐团首席费迪南德·大卫的一封信：“我非常喜欢你为钢琴与单簧管创作的《幻想曲集》；为何不为小提琴与钢琴写点什么呢？……如果你能写出这样的作品，让你的妻子和我能演奏给你听，那该多好。”
演奏者乌尔夫·瓦林与罗兰·蓬蒂宁曾于1991年为BIS录制首张唱片，《今日经典》网站称他们的合作是“精心打磨的大师级合奏”。瓦林在舒曼作品诠释方面的权威性已通过其近期发行的小提琴协奏曲、幻想曲及大提琴协奏曲小提琴改编版录音得以确立。《每日电讯报》乐评人认为“很难想象有比这更具共鸣与洞见的演绎”，德国《今日古典》网站的乐评人也赞同这一观点，称瓦林“演奏技艺卓越，对音乐富有洞察力”。
Artist: Ulf Wallin, Roland Pontinen
Title: Schumann: Violin Sonatas
Year Of Release: 2011
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 01:14:06
Total Size: 344 mb / 1.15 gb
WebSite: Album Preview
Tracklist
01. Violin Sonata No. 1 in A minor, Op. 105: I. Mit Leidenschaftlichem Ausdruck
02. Violin Sonata No. 1 in A minor, Op. 105: II. Allegretto
03. Violin Sonata No. 1 in A minor, Op. 105: III. Lebhaft
04. Violin Sonata No. 2 in D minor, Op. 121 : I. Ziemlich langsam - Lebhaft
05. Violin Sonata No. 2 in D minor, Op. 121 : II. Sehr lebhaft
06. Violin Sonata No. 2 in D minor, Op. 121 : III. Leise, einfach
07. Violin Sonata No. 2 in D minor, Op. 121 : IV. Bewegt
08. Violin Sonata No. 3 in A minor, WoO 27: I. Ziemlich langsam
09. Violin Sonata No. 3 in A minor, WoO 27: III. Intermezzo: Bewegt, doch nicht zu schnell
10. Violin Sonata No. 3 in A minor, WoO 27: II. Scherzo
11. Violin Sonata No. 3 in A minor, WoO 27: IV. Finale: Markiertes, ziemlich lebhaftes Tempo
Robert Schumann's three Sonatas for violin and piano were all composed between 1851 and 1853. They – especially No.3 – have to some extent suffered from the same neglect and incomprehension that has been the fate of other works from this period in the composer's life, only a few years before he died in a mental institution. During the same years a number of other works for the violin saw the light, including the Violin Concerto and the Fantasy for violin and orchestra. The concertante works were written for the violinist Joseph Joachim, but it may have been a letter from Ferdinand David, concert master of the Leipzig Gewandhaus Orchestra, that provided the initial impulse to compose chamber works for the violin: ‘I am uncommonly fond of your Fantasiestücke for piano and clarinet; why don’t you write something for violin and piano? … How splendid it would be if you could write something of that kind, that your wife and I could play for you.’ Here the performers are Ulf Wallin and Roland Pöntinen, a team who recorded their first disc for BIS in 1991, and whose partnership has been described as 'masterfully cultivated ensemble playing' on website ClassicsToday.com. Wallin's credentials in Schumann must also be regarded as firmly established, after his recently released recording of the violin concerto, the Fantasy and the arrangement for violin of the cello concerto. The reviewer in Daily Telegraph found it 'hard to imagine more sympathetic and insightful performances of these wonderful pieces’, and his colleague on the German website Klassik-Heute agreed, describing Wallin as 'violinistically brilliant and musically perceptive'
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发表于 2025-6-11 08:15:19