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艺术家：夏尔·芒什
标题：柏辽兹：幻想交响曲 / 勃拉姆斯：第一交响曲
发行年份：1968年[2018年再版]
厂牌：Erato / Warner [WPGS-10048]
类型：古典音乐
音质：DSD64镜像文件(*.iso) | DSD64分轨 | 24位/96kHz FLAC
总时长：97分29秒
总大小：2.5GB / 2.2GB / 2.1GB(+3%冗余)
网站：专辑预览
著名指挥家夏尔·芒什率领巴黎管弦乐团，献上柏辽兹杰作《幻想交响曲》（作品14）的精彩演绎。该录音以其卓越的音质备受赞誉，芒什指挥下的乐团演奏光彩夺目、引人入胜，配器丰富绚丽。选择勃拉姆斯《第一交响曲》作为巴黎管弦乐团首张录音的曲目，既体现了这部作品在芒什演绎生涯中的核心地位，也为整套录音赋予了某种告别意味——柏辽兹与勃拉姆斯始终是他职业生涯中钟爱的作曲家。
许多人认为不应在同一曲目单中混搭德法音乐，但鉴于芒什的背景，这一安排在我看来完全合理：选择权交给听众。巴黎管弦乐团录制此专辑时刚成立不久，但考虑到乐团默契绝非朝夕可成，这样的演出堪称奇迹。由曾为“音乐会协会”和安德烈·克路易坦制作经典录音的团队（勒内·沙朗与保罗·瓦瓦瑟尔）操刀，尽管较大的混响可能掩盖部分细节（不如RCA“活立体声”中波士顿交响乐厅的声学效果清晰），但录音的工程水准依然强劲。每段演绎都独具魅力，共同勾勒出芒什自波士顿时期以来的艺术风貌。《幻想交响曲》如同其指挥者，热情极具感染力。不妨将波士顿乐团在《幻想交响曲》末段60秒复杂乐段中精准的木管演奏，与巴黎乐团的演绎对比——尽显法式灵动与波士顿式精湛技艺的碰撞。
勃拉姆斯《第一交响曲》的首末乐章漫长引子，仿佛时光中悬浮的独白：充满抒情性，几乎感受不到节拍的起落，如此延绵难免让人揣测指挥家不愿与作品作别。首尾乐章时长显著长于波士顿交响乐团版。第二乐章著名的抒情结尾处，小提琴家卢本·约达诺夫正值巅峰状态。芒什在第四乐章开头对“阿尔卑斯号角”主题的处理或许过于缓慢，但长笛演奏家米歇尔·德博斯特以凝滞冷冽的音色回应。温暖的C大调主题起初也从容展开，但英雄主义的迸发很快冲破束缚。
曲目单
01. 柏辽兹：幻想交响曲 Op.14a：I. 幻想与热情
02. 柏辽兹：幻想交响曲 Op.14a：II. 舞会
03. 柏辽兹：幻想交响曲 Op.14a：III. 田园景色
04. 柏辽兹：幻想交响曲 Op.14a：IV. 赴刑进行曲
05. 柏辽兹：幻想交响曲 Op.14a：V. 安息日的夜梦
06. 勃拉姆斯：c小调第一交响曲 Op.68：I. 稍绵延的 - 快板
07. 勃拉姆斯：c小调第一交响曲 Op.68：II. 绵延的行板
08. 勃拉姆斯：c小调第一交响曲 Op.68：III. 稍快的小快板，优雅地
09. 勃拉姆斯：c小调第一交响曲 Op.68：IV. 柔板 - 稍快的行板 - 不过分活泼但充满活力的快板
演奏人员
夏尔·芒什：指挥
巴黎管弦乐团
Artist: Charles Munch
Title: Berlioz: Symphony Fantastique / Brahms: Symphony No.1
Year Of Release: 1968 [2018]
Label: Erato / Warner [WPGS-10048]
Genre: Classical
Quality: DSD64 image (*.iso) | DSD64 (*tracks) | FLAC (24bit/96 kHz)
Total Time: 97:29
Total Size: 2,5 GB / 2,2 GB / 2,1 GB (+3%rec.)
WebSite: Album Preview
Acclaimed conductor Charles Munch leads the Orchestre de Paris in this stunning performance of Berlioz’s masterpiece, Symphonie Fantastique Op.14. The work has been highly praised for its remarkable sound quality. Munch commands the orchestra in an illuminating & spellbinding performance noted for its lush instrumentation. The choice of Brahms’s 1st Symphony for these inaugural recordings of the Orchestre de Paris shows once more its centrality in the Munch repertoire & gives the set a certain valedictory quality: Berlioz & Brahms, topped his list of career-long favourites.
Many people say one should not combine German & French music in the same programme, but considering his background it seems perfectly valid to me: I’ll leave you to decide. The Paris Orchestra was newly formed at the time of this, it’s 1st recording, but the performance is miraculous considering that an orchestra ensemble is not something that can be refined overnight. The engineering values of these Voix de Son Maître/EMI recordings, with the same team that made the great recordings of the Société des Concerts & André Cluytens (René Challan & Paul Vavasseur) are very strong, though the greater reverberation tends to mask some details that are clearer in RCA’s Living Stereo approach, where the acoustic of Symphony Hall in Boston figures prominently. Each of these accounts is in its own way haunting, together leaving an apt portrait of the artist Charles Munch had become since Boston. The Fantastique is, like its leader, contagious in its enthusiasm. Compare the precise woodwind playing from Boston as heard in the difficult last 60 seconds of the Fantastique with the results from Paris—a good juxtaposition of the French esprit with Bostonian savoir faire.
The Brahms’s 1st Symphony leaving the sensation, in the long introductions of the 1st & last movements, of a soliloquy suspended over the passage of time: all lyric, with very little beat & almost no footfall at all – so drawn out as inevitably to suggest the conductor’s unwillingness to bid the work a last farewell. The outer movements are noticeably longer than the BSO versions. The famously sentimental close of the 2nd movement features violinist Luben Yordanoff in his prime. Munch probably over-slows the “alphorn call” toward the beginning of the 4th movement, but flutist Michel Debost responds in a way that confirms an icy stasis. The warm C-major theme begins slowly, too, but the heroism is soon straining to get loose.
Tracks:
01. Berlioz: Symphonie fantastique Op.14a : I. Reveries - Passions
02. Berlioz: Symphonie fantastique Op.14a : II. Un bal
03. Berlioz: Symphonie fantastique Op.14a : III. Scene aux champs
04. Berlioz: Symphonie fantastique Op.14a : IV. Marche au supplice
05. Berlioz: Symphonie fantastique Op.14a : V. Songe d'une nuit du sabbat
06. Brahms: Symphony No.1 in C minor Op.68 : I. Un poco sostenuto - Allegro
07. Brahms: Symphony No.1 in C minor Op.68 : II. Andante sostenuto
08. Brahms: Symphony No.1 in C minor Op.68 : III. Un poco allegretto e grazioso
09. Brahms: Symphony No.1 in C minor Op.68 : IV. Adagio - Piu andante - Allegro non troppo, ma con brio
Personnel:
Charles Munch: Conductor
Orchestre De Paris
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