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艺术家：格雷瓜尔·热阿
标题：横笛独奏 格雷瓜尔·热阿
发行年份：2012年
厂牌：Fidelio Records
类型：古典音乐
音质：无损FLAC / 24位-176.4kHz FLAC+小册子
总时长：1小时04分24秒
总大小：306兆字节 / 2.07千兆字节
网站：专辑预览
曲目单
01. 12首幻想曲，TWV 40:2-13：第3首 b小调，TWV 40:4
02. D大调快板
03. D小调随想曲I，QV 3:1.8
04. A小调随想曲VII，QV 3:1.19
05. 基于《福利亚舞曲》主题的15首变奏曲
06. 前奏曲
07. e小调第5组曲：I. 前奏曲
08. e小调第5组曲：II. 阿勒曼德舞曲
09. e小调第5组曲：III. 萨拉班德舞曲
10. e小调第5组曲：IV. 吉格舞曲
11. e小调小步舞曲
12. b小调柔板
13. b小调吉格舞曲
14. 8首长笛随想曲：I. 中板快板
15. A小调长笛奏鸣曲，Wq. 132，H. 562：I. 稍柔板
16. A小调长笛奏鸣曲，Wq. 132，H. 562：II. 快板
17. A小调长笛奏鸣曲，Wq. 132，H. 562：III. 快板
格雷瓜尔·热阿 - 横笛独奏（2012）[高解析度]
前奏曲、幻想曲、随想曲、福利亚舞曲、奇想曲、创意曲、托卡塔——这些自由曲式在巴洛克音乐中俯拾皆是。有些近似于无规则节拍的即兴创作，另一些则采用完全脱离舞蹈组曲或巴洛克奏鸣曲严格结构的形式。这种形式上的自由让作曲家得以尽情发挥想象力，为独奏乐器赋予无拘无束的表现力——大型器乐合奏往往难以呈现如此天马行空的即兴构思。这张独奏专辑精选了长笛独奏曲目，展现了这些常带奇思妙想的曲式多样性。此外，听众还将听到菲利多为抒情长笛改编的组曲，特邀鲁特琴演奏家西尔万·贝热龙献艺，以即兴前奏曲开场。
Artist: Grégoire Jeay
Title: Solo Traverso
Year Of Release: 2012
Label: Fidelio Records
Genre: Classical
Quality: flac lossless / flac 24bits - 176.4kHz +Booklet
Total Time: 01:04:24
Total Size: 306 mb / 2.07 gb
WebSite: Album Preview
Tracklist
01. 12 Fantaisies, TWV 40:2-13: No. 3 in B Minor, TWV 40:4
02. Allegro in D Major
03. Capricio I in D Minor, QV 3:1.8
04. Capricio VII in A Minor, QV 3:1.19
05. 15 Variations On the Theme of 'La folia'
06. Prelude
07. Suite No. 5 in E Minor: I. Prelude
08. Suite No. 5 in E Minor: II. Allemande
09. Suite No. 5 in E Minor: III. Sarabande
10. Suite No. 5 in E Minor: IV. Gigue
11. Minuetto in E Minor
12. Adagio in B Minor
13. Gigue in B Minor
14. 8 Caprices de flute: I. Allegro moderato
15. Flute Sonata in A Minor, Wq. 132, H. 562: I. Poco adagio
16. Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro
17. Flute Sonata in A Minor, Wq. 132, H. 562: III. Allegro
Grégoire Jeay - Solo Traverso (2012) [Hi-Res]
Prelude, fantasy, capriccio, folia, bizzaria, invention, toccata—such free forms abound in Baroque music. Some may resemble an improvisation devoid of regular pulse while others adopt a structure totally departing from the strict form of the dance suite or of the Baroque sonata. This freedom of form gave free rein to the composer’s imagination for the benefit of a solo instrument, at last allowed to shine unimpeded. Indeed, large instrumental ensembles were ill-suited to such flights of fancy and quasi-improvisations. The present solo album project offers fine examples of such frequently odd constructions, whose variety of guises are taken from the solo flute repertoire. In addition, the listener will hear a suite by Philidor transposed for the flûte d’amour, with guest lutenist Sylvain Bergeron contributing an improvised prelude.
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发表于 2025-6-12 08:02:00