10-塔米·克劳斯与蔡宣羽《清凉，非温热》2020 Hi-Res 24bits - 176.4kHz

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艺术家：塔米·克劳斯与蔡宣羽  
标题：塔米·克劳斯与蔡宣羽《清凉，非温热》  
发行年份：2020年  
厂牌：拉梅唱片  
流派：古典  
音质：FLAC（音轨）/24比特-96kHz FLAC（音轨+手册）  
总时长：67:06  
总大小：289 MB / 1.12 GB  
网站：专辑预览  

曲目列表  
01. D大调钢琴与长笛小夜曲，作品41：第一乐章 entrata（快板）（4:05）  
02. D大调钢琴与长笛小夜曲，作品41：第二乐章 小步舞曲的普通速度（5:10）  
03. D大调钢琴与长笛小夜曲，作品41：第三乐章 很快的快板（2:26）  
04. D大调钢琴与长笛小夜曲，作品41：第四乐章 行板与变奏曲（6:38）  
05. D大调钢琴与长笛小夜曲，作品41：第五乐章 诙谐活泼的快板（2:16）  
06. D大调钢琴与长笛小夜曲，作品41：第六乐章 柔板—活泼自在的快板—急板（5:59）  
07. D小调长笛独奏随想曲，作品10b 第9首（3:06）  
08. A小调钢琴与长笛大协奏曲奏鸣曲，作品85：第一乐章 有激情的快板（14:03）  
09. A小调钢琴与长笛大协奏曲奏鸣曲，作品85：第二乐章 谐谑曲（很快的快板）（5:09）  
10. A小调钢琴与长笛大协奏曲奏鸣曲，作品85：第三乐章 柔板（8:19）  
11. A小调钢琴与长笛大协奏曲奏鸣曲，作品85：第四乐章 回旋曲（稍激动的快板）（8:14）  
12. 卡农《清凉，非温热》，WoO 191（1:46）  

十九世纪早期是音乐风格剧烈变革的时代，作曲家们探寻新的表达方式与调性可能，推动了乐器设计与制造领域的迅速革新。更宽广的音域和更丰富的技术可能成为明确的理想。路德维希·范·贝多芬与弗里德里希·库劳是同时代的音乐巨匠，均致力于充分挖掘这些新发展带来的潜力。贝多芬的《小夜曲》以冲动的力度变化和对比动机突破古典主义边界，而库劳的《大协奏曲奏鸣曲》则热忱探索更浪漫的美学，在炫技写作与丰富和声织体中蕴含表达的自由。  
本录音将贝多芬与库劳的作品并置，灵感源于两位作曲家在1825年9月2日于巴登的首次也是唯一一次相遇。这段音乐史上的动人时刻，被贝多芬以卡农形式纪念——作品基于歌词“Kühl, nicht lau”（清凉，非温热），既是对库劳（Kuhlau）名字的友好双关，也暗喻音乐应有的炽热与真挚。  

塔米·克劳斯，八键长笛  
蔡宣羽，古钢琴
Artist: Tami Krausz & Shuann Chai
Title: Kühl, nicht lau
Year Of Release: 2020
Label: Ramée
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 67:06
Total Size: 289 MB / 1.12 GB
WebSite: Album Preview

Tracklist:

01. Serenade in D Major for Piano and Flute, Op. 41: I. Entrata (Allegro) (4:05)
02. Serenade in D Major for Piano and Flute, Op. 41: II. Tempo ordinario d'un menuetto (5:10)
03. Serenade in D Major for Piano and Flute, Op. 41: III. Allegro molto (2:26)
04. Serenade in D Major for Piano and Flute, Op. 41: IV. Andante con variazioni (6:38)
05. Serenade in D Major for Piano and Flute, Op. 41: V. Allegro scherzando e vivace (2:16)
06. Serenade in D Major for Piano and Flute, Op. 41: VI. Adagio - Allegro vivace e disinvolto - Presto (5:59)
07. Capriccio in D Minor for Flute Solo, Op. 10b No. 9 (3:06)
08. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: I. Allegro con passione (14:03)
09. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: II. Scherzo (Allegro assai) (5:09)
10. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: III. Adagio (8:19)
11. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: IV. Rondo (Allegro poco agitato) (8:14)
12. Canon "Kühl, nicht lau", WoO 191 (1:46)

The early nineteenth century was an era of great stylistic changes in music, as composers searched for new forms of expression and tonal possibilities, which spurred rapid innovation in the field of instrument design and manufacturing. A larger sound spectrum and greater variety of technical possibilities became a defined ideal. Ludwig van Beethoven and Friedrich Kuhlau were musical giants of their time, both seeking to exploit fully the potential brought by these new developments. Beethovens Serenade bends the boundaries of Classicism with impulsive dynamic changes and contrasting motifs, while Kuhlaus Grande Sonate Concertante eagerly explores a more Romantic aesthetic, containing an expressive freedom in its virtuosic writing and rich harmonic textures. The juxtaposition of Beethoven and Kuhlaus music on this recording is inspired by the two composers' first and only encounter in Baden on the 2nd of September 1825. This charming moment in music history is remembered with a canon Beethoven wrote on the text 'Kühl, nicht lau' (cool, not lukewarm), a friendly pun on Kuhlau's name.

Tami Krausz, eight-keyed flute
Shuann Chai, fortepiano

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