11-《亚历山大·柴可夫斯基：管弦乐作品 第一卷（现场）》2021 Hi-Res 24bits - 48.0kHz

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艺术家：西伯利亚交响乐团、德米特里·瓦西里耶夫  
标题：《亚历山大·柴可夫斯基：管弦乐作品 第一卷（现场）》  
发行年份：2021年  
厂牌：托卡塔经典唱片  
流派：古典  
音质：FLAC无损/FLAC 24比特-48.0千赫兹+手册  
总时长：01:00:09  
总大小：302兆字节/628兆字节  
网站：专辑预览  

曲目列表  
01. 第七交响曲，作品139“隔离”：第一乐章 行板—很快的快板（现场）  
02. 第七交响曲，作品139“隔离”：第二乐章 柔板（现场）  
03. 第三交响曲，作品75：第一乐章 快板（现场）  
04. 第三交响曲，作品75：第二乐章 很快的快板（现场）  
05. 第三交响曲，作品75：第三乐章 行板（现场）  

西伯利亚交响乐团与德米特里·瓦西里耶夫演绎——亚历山大·柴可夫斯基：管弦乐作品 第一卷（现场）（2021年高解析度录音）  

莫斯科作曲家亚历山大·柴可夫斯基（生于1946年）是鲍里斯·柴可夫斯基的侄子，但与彼得·伊里奇无血缘关系，他是当代俄罗斯最受尊敬的作曲家之一，但其音乐在西方听众中却鲜少曝光。他的交响乐风格受叔叔影响颇深：同样在宏大的音响架构中耐心构建强大张力，同时也不乏温柔而具讽刺意味的怀旧笔触。1995至2002年创作的第三交响曲采用大型管弦乐编制，许多段落融入圆舞曲节奏，并借鉴了根据陀思妥耶夫斯基《群魔》创作却中途搁置的芭蕾草图素材。  

第七交响曲则是不折不扣的当代作品：柴可夫斯基在新冠疫情期间创作此曲，为弦乐、打击乐和钢琴组成的社交距离乐团而作。如他所述，“病毒随后展开报复”，他自己也感染了病毒。作品传递的信息清晰可辨：第一乐章的动荡在第二乐章中让位于希望的讯息。

Artist: Siberian Symphony Orchestra, Dmitry Vasiliev
Title: Alexander Tchaikovsky: Orchestral Music, Vol. 1 (Live)
Year Of Release: 2021
Label: Toccata Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 01:00:09
Total Size: 302 / 628 mb
WebSite: Album Preview

Tracklist

01. Symphony No. 7, Op. 139 "Quarantine": I. Andante - Allegro molto (Live)
02. Symphony No. 7, Op. 139 "Quarantine": II. Adagio (Live)
03. Symphony No. 3, Op. 75: I. Allegro (Live)
04. Symphony No. 3, Op. 75: II. Allegro molto (Live)
05. Symphony No. 3, Op. 75: III. Andante (Live)

Siberian Symphony Orchestra & Dmitry Vasiliev - Alexander Tchaikovsky: Orchestral Music, Vol. 1 (Live) (2021) [Hi-Res]

The Muscovite Alexander Tchaikovsky (b. 1946) – nephew of Boris Tchaikovsky but no relative to Pyotr Ilich – is one of the most highly respected composers at work in contemporary Russia, and yet his music has had little exposure to western audiences. His symphonic style owes something to that of his uncle: it likewise patiently develops enormous power over large expanses of sound, although there is also room for gently ironic touches of nostalgia. Much of the Third Symphony (1995–2002), scored for a huge orchestra, is infused with waltz rhythms: it uses material from sketches for an abandoned ballet based on Dostoyevsky’s The Devils.
The Seventh Symphony is very much a work de nos jours: Tchaikovsky composed it during the Covid-19 pandemic, scored it for a socially distanced orchestra of strings, percussion and piano – at which point, as he writes, ‘the virus then took revenge’, and he fell ill himself. The message of the work is clear, as the turmoil of the first movement gives way to a message of hope in the second.

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