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艺术家：弗兰克·瑟恩斯、贝特朗·屈耶
专辑名称：约翰·塞巴斯蒂安·巴赫：横笛奏鸣曲与 partita
发行年份：2021年
厂牌：Ramée
音乐类型：古典音乐
音质：FLAC（分轨）/24比特-96千赫兹FLAC（分轨+专辑手册）
总时长：62分53秒
总大小：368兆字节/1.27吉字节
网站：专辑预览
曲目列表
01. E小调横笛与通奏低音奏鸣曲，BWV 1034：第一乐章 不过分的柔板（3分19秒）
02. E小调横笛与通奏低音奏鸣曲，BWV 1034：第二乐章 快板（2分52秒）
03. E小调横笛与通奏低音奏鸣曲，BWV 1034：第三乐章 行板（3分30秒）
04. E小调横笛与通奏低音奏鸣曲，BWV 1034：第四乐章 快板（4分55秒）
05. A小调横笛 partita，BWV 1013：第一首 阿勒曼德舞曲（5分13秒）
06. A小调横笛 partita，BWV 1013：第二首 库朗特舞曲（3分21秒）
07. A小调横笛 partita，BWV 1013：第三首 萨拉班德舞曲（3分13秒）
08. A小调横笛 partita，BWV 1013：第四首 英国布雷舞曲（1分59秒）
09. G大调横笛与羽管键琴助奏奏鸣曲，BWV 1027/1039：第一乐章 柔板（3分56秒）
10. G大调横笛与羽管键琴助奏奏鸣曲，BWV 1027/1039：第二乐章 不过分的快板（3分37秒）
11. G大调横笛与羽管键琴助奏奏鸣曲，BWV 1027/1039：第三乐章 行板（2分19秒）
12. G大调横笛与羽管键琴助奏奏鸣曲，BWV 1027/1039：第四乐章 中速快板（3分13秒）
13. E大调第六法国组曲，BWV 817：第一首 阿勒曼德舞曲（为横笛改编）（2分51秒）
14. G小调横笛与羽管键琴助奏奏鸣曲，BWV 1030b：第一乐章 [行板]（8分30秒）
15. G小调横笛与羽管键琴助奏奏鸣曲，BWV 1030b：第二乐章 西西里舞曲（3分59秒）
16. G小调横笛与羽管键琴助奏奏鸣曲，BWV 1030b：第三乐章 急板（6分12秒）
与许多同时代作曲家不同，约翰·塞巴斯蒂安·巴赫从未打算按当时惯例（如他为小提琴、大提琴和羽管键琴所做的那样）创作6首或12首一套的长笛奏鸣曲或partita。巴赫的长笛奏鸣曲约在1717至1747年的30年间逐步形成，期间他接触到当时流行的不同类型长笛，并结识了几位技艺高超的长笛演奏家。这张录音中曲目的选择，很大程度上取决于巴赫可能认识的长笛演奏家和制笛师。准备阶段，弗兰克·瑟恩斯对比评估了多种18世纪早期长笛的演奏特性，最终选定了一支皮埃尔-加布里埃尔·比法尔丹制作的长笛复制品。该乐器平衡明亮的意大利式音色，完美契合这套曲目的演奏需求。比法尔丹不仅是无与伦比的长笛演奏家、有造诣的作曲家，还是著名的制笛师，巴赫可能于1717年在德累斯顿与他有过会面。
Artist: Frank Theuns, Bertrand Cuiller
Title: Johann Sebastian Bach: Sonate e partite per il flauto traversiere
Year Of Release: 2021
Label: Ramée
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 62:53
Total Size: 368 MB / 1.27 GB
WebSite: Album Preview
Tracklist:
01. Sonata for Traverso and Basso Continuo in E Minor, BWV 1034: I. Adagio ma non tanto (3:19)
02. Sonata for Traverso and Basso Continuo in E Minor, BWV 1034: II. Allegro (2:52)
03. Sonata for Traverso and Basso Continuo in E Minor, BWV 1034: III. Andante (3:30)
04. Sonata for Traverso and Basso Continuo in E Minor, BWV 1034: IV. Allegro (4:55)
05. Partita for Traverso in A Minor, BWV 1013: I. Allemanda (5:13)
06. Partita for Traverso in A Minor, BWV 1013: II. Corrente (3:21)
07. Partita for Traverso in A Minor, BWV 1013: III. Sarabanda (3:13)
08. Partita for Traverso in A Minor, BWV 1013: IV. Bourrée anglaise (1:59)
09. Sonata for Traverso and Obbligato Harpsichord in G Major, BWV 1027/1039: I. Adagio (3:56)
10. Sonata for Traverso and Obbligato Harpsichord in G Major, BWV 1027/1039: II. Allegro ma non tanto (3:37)
11. Sonata for Traverso and Obbligato Harpsichord in G Major, BWV 1027/1039: III. Andante (2:19)
12. Sonata for Traverso and Obbligato Harpsichord in G Major, BWV 1027/1039: IV. Allegro moderato (3:13)
13. French Suite No. 6 in E Major, BWV 817: I. Allemande (Arr. for Traverso) (2:51)
14. Sonata for Traverso and Obbligato Harpsichord in G Minor, BWV 1030b: I. [Andante] (8:30)
15. Sonata for Traverso and Obbligato Harpsichord in G Minor, BWV 1030b: II. Siciliano (3:59)
16. Sonata for Traverso and Obbligato Harpsichord in G Minor, BWV 1030b: III. Presto (6:12)
Unlike many of his contemporaries, Johann Sebastian Bach never intended to compose flute sonatas or partitas in sets of 6 or 12, as was customary at the time (and as he himself did for violin, cello and harpsichord). Bach's flute sonatas evolved over a roughly 30-year period between ca. 1717–1747 as he encountered the different types of flute in fashion at the time, and met several greatly skilled flautists. The question of which flautist and flute makers Bach may have known played a decisive role in choosing the programme on this recording. In preparation, Frank Theuns compared and assessed the playing qualities of various early eighteenth-century flute types. Eventually, he decided on a copy of a flute made by Pierre-Gabriel Buffardin. The balanced, brilliant, Italianate sound of this instrument was a perfect match for the demands of this repertoire. As well as being an unequalled flautist and an accomplished composer, Buffardin was also a renowned flute maker whom Bach may have met in Dresden in 1717.
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发表于 2025-6-13 07:52:07