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艺术家：吉尔·沙汉姆、埃里克·雅各布森、骑士乐团
标题：贝多芬、勃拉姆斯：小提琴协奏曲
发行年份：2021年
厂牌：金丝雀经典
流派：古典
音质：FLAC（分轨）/24位-96千赫兹FLAC（分轨+小册子）
总时长：1小时14分55秒
总大小：325兆字节/1.31吉字节
网站：专辑预览
曲目列表：
01.D大调小提琴协奏曲，作品61：第一乐章 不过分的快板（21分20秒）
02.D大调小提琴协奏曲，作品61：第二乐章 广板（8分37秒）
03.D大调小提琴协奏曲，作品61：第三乐章 回旋曲 快板（9分52秒）
04.D大调小提琴协奏曲，作品77：第一乐章 不过分的快板（19分25秒）
05.D大调小提琴协奏曲，作品77：第二乐章 柔板（8分05秒）
06.D大调小提琴协奏曲，作品77：第三乐章 欢乐的快板但不过分活泼—稍快（7分38秒）
吉尔·沙汉姆为这张唱片与总部位于布鲁克林的骑士乐团合作，由埃里克·雅各布森指挥，他很幸运能经常与这些音乐家合作。骑士乐团认为，享受巨大的乐趣是完成严肃音乐工作的最佳方式，因此世界上最快乐的管弦乐团与世界上最快乐的小提琴家合作是很自然的！
这是吉尔·沙汉姆近五年来的首张个人专辑，也是他首次录制贝多芬小提琴协奏曲，这可以说是他录音作品中最受期待的新增曲目。沙汉姆小时候一遍又一遍地听大卫·奥伊斯特拉赫录制的贝多芬作品，深受吸引，至今仍对其充满敬畏。尽管他在音乐会上现场演奏贝多芬作品达数千次，但在这张唱片中，整个情感历程依然新鲜，仿佛他是第一次演奏。用他自己的话说：“如果有音乐能改变和影响灵魂，那就是它了。”
勃拉姆斯协奏曲是沙汉姆作为DG艺术家录制的最后一批作品之一，那是与阿巴多和柏林爱乐乐团合作的一场备受赞誉的现场演出。而这张唱片则完全不同，它将一种艺术手法和合作关系结合在一起，近乎室内乐创作的亲密感——观察、倾听、回应——但却是一部规模更大的杰作。沙汉姆在勃拉姆斯第一乐章中的快速节奏，促成了 virtuoso 灵巧的最狂野展现。2019年，在这张唱片录制前几天，《波士顿音乐情报》在坦格伍德观看勃拉姆斯作品演出时评价道，沙汉姆“在技巧性和抒情性段落中都展现出至高无上的掌控力，有点像在体操运动员和绅士之间来回切换，音色干净集中、明亮闪耀”。
这是吉尔·沙汉姆与骑士乐团的第二次录音，第一次是在2016年，录制了普罗科菲耶夫的第二小提琴协奏曲，这是沙汉姆“20世纪30年代小提琴协奏曲项目”的一部分。
Artist: Gil Shaham, Eric Jacobsen, The Knights
Title: Beethoven, Brahms: Violin Concertos
Year Of Release: 2021
Label: Canary Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:14:55
Total Size: 325 MB / 1.31 GB
WebSite: Album Preview
Tracklist:
01. Violin Concerto in D major, Op. 61: I. Allegro ma non troppo (21:20)
02. Violin Concerto in D major, Op. 61: II. Larghetto (8:37)
03. Violin Concerto in D major, Op. 61: III. Rondo. Allegro (9:52)
04. Violin Concerto in D Major, Op. 77: I. Allegro non troppo (19:25)
05. Violin Concerto in D Major, Op. 77: II. Adagio (8:05)
06. Violin Concerto in D Major, Op. 77: III. Allegro giocoso ma non troppo vivace — Poco più presto (7:38)
Gil Shaham partners for this recording with Brooklyn-based The Knights, conducted by Eric Jacobsen, musicians with whom he feels fortunate to collaborate with on a regular basis. The Knights believe that having an enormous amount of fun is the best way of accomplishing serious musical work, so it's only natural that the World's happiest orchestra teams up with the world's happiest violinist!
This is Gil Shaham's first solo release in almost five years, and his first recording of the Beethoven Violin Concerto, arguably the most anticipated addition to his recorded oeuvre. Shaham was captivated growing up listening to David Oistrakh's recording of the Beethoven over and over again; and it continues to inspire awe in him. Despite the 1000's of times he played the Beethoven live in concert, the whole emotional journey is as fresh here on this recording as if he was playing it for the first time. In his own words "If there is ever music which changes and effects the soul, this is it".
The Brahms Concerto was one of the last recordings Shaham made as a DG artist, a much lauded live performance with Abbado and the Berlin Philharmonic Orchestra. This recording is all together a different affair, bringing together an artistic approach and partnership bordering on the intimacy in chamber music making — watching, listening, responding — but a much larger-scale masterpiece. Shaham's swift tempo in the first movement of the Brahms, facilitates the wildest flight of virtuoso deftness, the "Boston Musical Intelligencer" observing in a performance of the Brahms at Tanglewood in 2019, days before this recording took place, that Shaham "exercised sovereign command in both the virtuosic and the lyrical passages, sort of going back and forth between being a gymnast and a gentleman, with cleanly focused, gleaming tone".
This is Gil Shaham's second recording with The Knights, the first in 2016 resulted in the recording of Prokofiev's Violin Concerto No. 2, part of Shaham's "1930s Violin Concertos project".
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