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艺术家：马特·海莫维茨、莱比锡中德广播交响乐团、丹尼斯·拉塞尔·戴维斯
标题：《施尼特凯：第一大提琴协奏曲》
发行年份：2025年
厂牌：PentaTone
风格：古典音乐
音质：分轨FLAC格式/24位-48千赫兹FLAC格式（含小册子）
总时长：52分08秒
总大小：224/521兆字节
网站：专辑预览
曲目列表：
1. 施尼特凯：第一大提琴协奏曲：I. 沉重的 中板（19分43秒）
2. 施尼特凯：第一大提琴协奏曲：II. 广板（13分26秒）
3. 施尼特凯：第一大提琴协奏曲：III. 活泼的快板（4分27秒）
4. 施尼特凯：第一大提琴协奏曲：IV. 广板（14分35秒）
大提琴家马特·海莫维茨与莱比锡中德广播交响乐团、指挥家丹尼斯·拉塞尔·戴维斯合作，继续通过充满活力的录音聚焦鲜为人知却极具力量的大提琴协奏曲。继广受好评的托马斯·德·哈特曼《大提琴协奏曲》发行后，该系列现推出20世纪音乐的里程碑作品——阿尔弗雷德·施尼特凯的《第一大提琴协奏曲》，这部深刻个人化且富有变革性的作品源自作曲家的濒死体验。
这部协奏曲由传奇大提琴家纳塔莉亚·古特曼委约，创作于1985年施尼特凯中风幸存后，突破性地捕捉了生命、死亡与重生的原始强度。施尼特凯将肖斯塔科维奇的情感深度与勃拉姆斯、巴赫的萦绕回响相融合，通过羽管键琴、扩音大提琴、扣人心弦的华彩乐段和大胆的管弦乐编排，创造出连接巴洛克与现代的震撼音景。作品以雾霭般的氛围开场并引用勃拉姆斯《作品38奏鸣曲》，随后情感强度迅速攀升，独奏大提琴与丰富的管弦乐背景对峙交融。这部作品最初构想为三乐章协奏曲，施尼特凯从昏迷中苏醒后添加了第四乐章，形成深刻的精神性结尾。
这张EP作为PENTATONE与Oxingale持续合作的一部分，捕捉了协奏曲从痛苦到反讽、再到超越与重生的完整情感弧线，重申了该作品作为大提琴曲目重要贡献的地位。施尼特凯《大提琴协奏曲》以洋溢着生命肯定光辉的终章，成为我们这个时代的颂歌。
Artist: Matt Haimovitz, MDR Leipzig Radio Symphony Orchestra, Dennis Russell Davies
Title: Schnittke: Cello Concerto No. 1
Year Of Release: 2025
Label: PentaTone
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 52:08
Total Size: 224 / 521 MB
WebSite: Album Preview
Tracklist:
1. Schnittke: Cello Concerto No. 1: I. Pesante. Moderato (19:43)
2. Schnittke: Cello Concerto No. 1: II. Largo (13:26)
3. Schnittke: Cello Concerto No. 1: III. Allegro vivace (4:27)
4. Schnittke: Cello Concerto No. 1: IV. Largo (14:35)
Cellist Matt Haimovitz, together with the MDR Leipzig Radio Symphony Orchestra and conductor Dennis Russell Davies, continues to spotlight rarely heard and powerful cello concerti, brought to life through dynamic recordings. Following the acclaimed release of Thomas de Hartmann’s Cello Concerto, the series now presents a landmark work of 20th-century music—Alfred Schnittke’s Cello Concerto No. 1, a deeply personal and transformative work born from the composer’s near-death experience.
Commissioned for legendary cellist Natalia Gutman and written in 1985 after surviving a stroke, this groundbreaking concerto captures the raw intensity of life, death, and rebirth. Schnittke blends the emotional gravity of Shostakovich with haunting echoes of Brahms and Bach. Harpsichord, amplified cello, gripping cadenzas and bold orchestration create a striking soundscape that bridges the baroque and the modern. Opening with a fog-like atmosphere and quoting Brahms’ Sonata Op. 38, the work quickly spirals in emotional intensity, with the solo cello confronting and engaging a rich orchestral backdrop. This piece was originally conceived as a three-movement concerto; a fourth movement was added by Schnittke after awakening from a coma, forming a deeply spiritual conclusion.
This EP, as part of the ongoing collaboration between PENTATONE and Oxingale, captures the concerto’s full emotional arc—from anguish to irony to transcendence and reaffirms the work’s status as a vital contribution to the cello repertoire. With a finale that soars with life-affirming brilliance, Schnittke’s Cello Concerto is an anthem for our time.
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