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艺术家：伦敦交响乐团、伦敦交响合唱团、伦敦爱乐合唱团、吉安安德烈亚·诺塞达
标题：肖斯塔科维奇：第十三交响曲“巴比谷”
发行年份：2025年
厂牌：伦敦交响乐团现场
流派：古典
音质：FLAC（音轨）/24bit-192kHz FLAC（音轨+手册）
总时长：58:09
总大小：199 MB / 1.72 GB
网站：专辑预览
曲目列表：
1. 肖斯塔科维奇：降B小调第十三交响曲，作品113“巴比谷”：第一乐章 巴比谷。柔板（14:00）
2. 肖斯塔科维奇：降B小调第十三交响曲，作品113“巴比谷”：第二乐章 幽默。小快板（7:56）
3. 肖斯塔科维奇：降B小调第十三交响曲，作品113“巴比谷”：第三乐章 商店里。柔板（11:16）
4. 肖斯塔科维奇：降B小调第十三交响曲，作品113“巴比谷”：第四乐章 恐惧。广板（11:40）
5. 肖斯塔科维奇：降B小调第十三交响曲，作品113“巴比谷”：第五乐章 事业。小快板（13:21）
1961年，俄罗斯诗人叶夫根尼·叶夫图申科发表了《巴比谷》，这首诗反思了1941年在基辅（基耶夫）的巴比谷峡谷发生的近34000名犹太人被屠杀事件，并强烈谴责了苏联纵容的反犹主义。德米特里·肖斯塔科维奇长期以来一直同情俄罗斯犹太人所面临的困境，他决心为这首诗谱曲。其成果便是他的第十三交响曲——由五个乐章组成，为低音独唱、低声部合唱团和完整管弦乐队而作。
首席客座指挥吉安安德烈亚·诺塞达率领伦敦交响乐团演绎了这部作品，为他的肖斯塔科维奇交响曲系列增添了令人激动的一笔。这部作品采用非常规的交响乐形式和独特的乐器配置，包括扩充的打击乐组和全部为低音的声部，音乐引领听众踏上一段难忘的旅程：从开篇不祥的钟声，经过带有讽刺意味的幽默时刻，到最后致敬逝去生命的静谧音符。
肖斯塔科维奇的第十三交响曲在首演前后就饱受争议，包括在演出两场后被禁演，但它仍然是对制度性种族主义的大胆抗议，也是对被迫害的无声受害者令人难忘的独特纪念。
Artist: London Symphony Orchestra, London Symphony Chorus, London Philharmonic Choir, Gianandrea Noseda
Title: Shostakovich: Symphony No. 13, "Babi Yar"
Year Of Release: 2025
Label: LSO Live
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 58:09
Total Size: 199 MB / 1.72 GB
WebSite: Album Preview
Tracklist:
1. Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113, "Babi Yar": I. Babi Yar. Adagio (14:00)
2. Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113, "Babi Yar": II. Humour. Allegretto (7:56)
3. Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113, "Babi Yar": III. In the Store. Adagio (11:16)
4. Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113, "Babi Yar": IV. Fears. Largo (11:40)
5. Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113 "Babi Yar": V. Career. Allegretto (13:21)
In 1961 Russian poet Yevgeny Yevtushenko published "Babi Yar", a reflection on the 1941 massacre of nearly 34,000 Jews at the Babi Yar ravine in Kiev (Kyiv), and a searing condemnation of Soviet condoned anti-Semitism. A long-time sympathiser towards the difficulties faced by Jews in Russia, Dmitri Shostakovich was determined to set the poetry to music. The result is his Symphony No 13—five movements for bass soloist, lower voice chorus, and full orchestra.
Principal Guest Conductor Gianandrea Noseda leads the LSO in this thrilling addition to his Shostakovich symphony cycle. With an unconventional symphonic form and unusual instrumentation, including expanded percussion and exclusively low voices, the music takes an unforgettable journey: from the ominous tolling bells of the opening bars, through moments of ironic humour to the final hushed notes honouring the memory of lives lost.
Marred by controversy before and after its premiere, including being banned after two performances, Shostakovich’s Symphony No 13 remains a brazen protest against institutional racism and a hauntingly original memorial to the silent victims of persecution.
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