[2025] 《莫扎特：长笛协奏曲》 [24B-192kHz]

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艺术家：安娜·贝松、克拉拉·伊赞贝尔、雷诺·范·梅切伦、夜之时光乐团
标题：《莫扎特：长笛协奏曲》
发行年份：2025年
厂牌：阿尔法古典
流派：古典乐
音质：FLAC（音轨）/24位-192千赫兹FLAC（音轨+手册）
总时长：69分13秒
总大小：314兆字节/2.32千兆字节
网站：专辑预览

曲目列表：

1. 莫扎特：G大调长笛协奏曲，作品313：第一乐章 庄严的快板（8分00秒）
2. 莫扎特：G大调长笛协奏曲，作品313：第二乐章 不太慢的柔板（8分20秒）
3. 莫扎特：G大调长笛协奏曲，作品313：第三乐章 回旋曲，小步舞曲速度（7分32秒）
4. 莫扎特：C大调长笛与竖琴协奏曲，作品299：第一乐章 快板（9分51秒）
5. 莫扎特：C大调长笛与竖琴协奏曲，作品299：第二乐章 小行板（7分37秒）
6. 莫扎特：C大调长笛与竖琴协奏曲，作品299：第三乐章 回旋曲，快板（10分00秒）
7. 莫扎特：D大调长笛协奏曲，作品314：第一乐章 开朗的快板（6分43秒）
8. 莫扎特：D大调长笛协奏曲，作品314：第二乐章 不太慢的柔板（6分03秒）
9. 莫扎特：D大调长笛协奏曲，作品314：第三乐章 回旋曲，小快板（5分12秒）

1777年，莫扎特结识了富有的费迪南德·德让，他是一位业余长笛手，也是荷兰东印度公司的退休外科医生。德让委托这位年轻的作曲家创作了几部作品，莫扎特称它们为“一些简单、短小的小协奏曲”。尽管如此，这些作品实际上对独奏者的技艺要求很高，还需要对音色细微差别有敏锐的感知，自那以后一直是广受欢迎的经典之作。不久之后，莫扎特在巴黎逗留期间，又创作了一首协奏曲，这次是为一位吹长笛的贵族和他身为竖琴手的女儿创作的二重奏独奏作品——据莫扎特说，两人都是“令人钦佩的音乐家”。与德让不同，这位贵族演奏家拥有一把新式的八键乐器，这使得长笛能够低音到中央C，并且可以演奏此前难以实现的C调。作为她与雷诺·范·梅切伦于2016年共同创立的夜之时光乐团的成员，当代最受赞誉的长笛演奏家之一安娜·贝松录制了这些经典作品，在《长笛与竖琴协奏曲》中，杰出的独奏竖琴手克拉拉·伊赞贝尔与她联袂演出。


Artist: Anna Besson, Clara Izambert, Reinoud Van Mechelen, A Nocte Temporis
Title: Mozart: Flute Concertos
Year Of Release: 2025
Label: Alpha Classics
Genre: Classic Rock
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 69:13
Total Size: 314 MB / 2.32 GB
WebSite: Album Preview

Tracklist:

1. Mozart: Flute Concerto in G Major, KV 313: I. Allegro maestoso (8:00)
2. Mozart: Flute Concerto in G Major, KV 313: II. Adagio ma non troppo (8:20)
3. Mozart: Flute Concerto in G Major, KV 313: III. Rondo. Tempo di Menuetto (7:32)
4. Mozart: Concerto for Flute and Harp in C Major, KV 299: I. Allegro (9:51)
5. Mozart: Concerto for Flute and Harp in C Major, KV 299: II. Andantino (7:37)
6. Mozart: Concerto for Flute and Harp in C Major, KV 299: III. Rondeau. Allegro (10:00)
7. Mozart: Flute Concerto in D Major, KV 314: I. Allegro aperto (6:43)
8. Mozart: Flute Concerto in D Major, KV 314: II. Adagio non troppo (6:03)
9. Mozart: Flute Concerto in D Major, KV 314: III. Rondo. Allegretto (5:12)

In 1777, Mozart met the wealthy Ferdinand Dejean, an amateur flautist and retired surgeon of the Dutch East India Company. Dejean commissioned a handful of works from the young composer, who termed them ‘some simple, short little concertinos’. Nevertheless, these pieces, which actually demand great virtuosity from the soloist, as well as a sensitivity to tonal nuances, have continued to be popular favourites ever since. A short while later, during his stay in Paris, Mozart wrote a further concerto, this time for a flute-playing aristocrat and his harpist daughter to perform as a duo of soloists – both of them ‘admirable musicians’ according to Mozart. Unlike Dejean, this noble virtuoso had an up-to-date instrument with eight keys, allowing the flute to reach down to middle C, and to play in the – hitherto impractical – key of C. Supported by A Nocte Temporis, the ensemble that she founded in 2016 with Reinoud Van Mechelen, flautist Anna Besson, now one of the most acclaimed instrumentalists of her generation, has recorded these evergreen works, with solo harpist extraordinaire Clara Izambert joining her in the Concerto for Flute and Harp.

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